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There are hardly any overdubs, production flourishes, or additional instrumentation, just Keenan’s delicate howl, bassist Justin Chancellor, guitarist Adam Jones, and one of the most lauded drummers in modern rock, Danny Carey. If there’s one thing that the 86 minutes of Fear Inoculum provides, it is the sound of four people making long, complicated songs together. Fear Inoculum arrives at a moment of high demand for Tool’s music, filling a vacuum they themselves created. The band’s discography roared back into the digital marketplace, smashing Billboard records in the process. His wine, his other bands Puscifer and A Perfect Circle, and his restless and enigmatic nature are, in part, the reasons behind the 13-year break between now and Tool’s previous album, 10,000 Days, a gap made almost mythic by the band’s absence from streaming services until earlier this year. (Keenan is a very serious winemaker who, nevertheless, named his vineyard after a pubic wig.) Recording sessions for the band’s fifth album, Fear Inoculum, revolved around his grape harvesting schedule. In recent years, Keenan has spoken to the press far more about his Arizona winery than Tool’s music.
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His trickster humor has curdled of late, culminating in Keenan writing a song in response to a bad Yelp review about his winery. You see, “ Forty Six & 2” is about the Jungian concept of the shadow, and “ Rosetta Stoned” is about tripping out and seeing aliens. But what he’s actually singing about is and has always been the province of pseudo-spiritual stoners and gamer intellectualism. Sure, Keenan has a versatile, emotive voice that granted Tool an audience beyond metalheads. It’s just that these edgy, twisted, “funny” parts of Tool are empirically stupid. A song on their second album Ænima dramatically recited the recipe for weed cookies in German, they have pulled many exhausting April Fool’s jokes on their fans, including one that claimed they were in a horrible bus accident and one that stated the famously apostatical lead singer Maynard James Keenan had quit the band and found Jesus. They’ve been a punchline for years.īut ever since hiding a song at track 69 of their 1993 debut album, Tool have always been sort of in on the joke. Their multi-part songs are loosely about embracing pain, grief, desire, transgression, until all your chakras are open and you know exactly why the pieces fit. Forged in the mad-at-my-dad fires of ’90s post-grunge and nu-metal, the progressive metal quartet has sustained a decades-long career on equal parts technical precision and psychedelic bullshit.
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They thrive in an enormously popular world of polyrhythms and prurience of Jungian philosophy and Bill Hicks memes of pewter dragon statues with orbs in their mouths and guys telling you that DMT is actually a chemical in your brain. Tool are just King Crimson in Joker makeup.